Back Order-

Posted: April 15, 2011 in Kodak media, Uncategorized
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The economy is in a recovered dive, no doubt about it, but that doesn’t remove the pain of back orders. Those nasty out-of-inventory items that don’t get a lot of attention. Their not widely sold and therefore hide in those warehouse shadows and recesses of purchasing agents minds.

As a salesperson when you recommend a unique product for a very important project there’s a level of excitement created. It raises the bar and takes oneself out of the mundane of a normally just busy day. This was one of those for me. I could visualize how the photographs look, felt and was taken back to the actual time in history when the image were alive. They became real and that was exciting.

Over the past week I have been fighting to get the product to my client, each strategic thrust met with inventory and “it’s a special order” resistance. Calls and emails become frustrating and untimely while I cry out for some form of solution. It’s Friday, the order is now 3-weeks old and I still have no answer.

When taking on a new product line one doesn’t expect to have many back-orders but expects a few. In times like these products that are not on a widely sold list become less obvious and instead of a light layer of dust on boxes the shelves become bare and lonely.

I don’t like back-orders, who does.

Here’s to printing large and lovin’ it.

Running out of ink-

I have dozen of stories about running out of ink. The amount of calls I receive from clients every month is amazing to me. Sometimes I chide with them and other times I’m empathetic, but regardless I try to make a point, check you ink levels.

Looking at your ink levels before beginning a project seems like common sense, but few follow my suggestions and now I don’t follow my own.

Last week I started a new project on my HP Z6200. I have many branded media products and I needed to create accurate profiles on the HP using the on board spectrophotometer. This involves so much more than just profiling. I tasked myself to accurately describe each product, make certain all the details were correct, check the spelling, approximate a good image that would be used on the specific product, profile the media, visually check to determine the overall quality and then the burdensome process of trimming each sample.

I was on a roll and had finalized 3-media products when the worst happened, I ran out of matte black ink.

Yes, I felt very stupid at that very moment, chastised myself and then felt very empathetic for all those who have previously called with this simple yet complex problem.

Here’s to printing large and remembering to check my ink levels

Robert Welch contact information

It’s not hard to understand why Kodak makes good photobase inkjet materials. Most likely millions if not trillions of photographs were printed on Kodak photo products. I used a good lab in Seattle for years when I needed a great enlargement and always specific Kodak papers.

Today the market calls for compatible, archival and durable inkjet products.  Kodak’s photo materials meet all these demands and more. Independent testing of Kodak products on all the various inkjet printers proves that they have segued from chemical developing to the finest inkjet photo materials.

We have chosen Kodak to be a part of our Best Photo Materials that we recommend for Epson, HP and Canon customers. I especially like their 260gm Lustre for portraits. It handles ink at the highest saturation, is easy to work with and looks great when displayed. Of special note is the actual archival length of Kodak photobase media. Testing shows unlaminated under conditions* a well printed photo will last an average of 35-years. Extending this requires either laminating with an approved product or mounting and framing with an acid free material, framed and sealed with a  professional UV glass. Testing shows this will extend the life of a photograph up to 125+ years.

*Archival note from Kodak: The Indoor Performance Guarantee durations will vary based on the media/printer/ink system. The stated durations assume the media is displayed indoors under fluorescent light (average intensity 450-lux, 12 hours/day), and/or with indirect sunlight exposure (at least 6 feet from a window, with no direct sunlight).

Here’s to printing large

Kodak Smooth Fine Art Media

Posted: April 2, 2011 in Kodak media

Being a part of an exciting project makes selling just that much more exciting for me. Recently I had one of my NSN customers come to me with an idea and it was great. I suggested several fine art materials for their HP Z6100 and they choose Kodak’s Smooth Fine Art Media for this special project.

The scope of the project is to print early photographs of life on the Reservation and key members of their tribe. I just could envision the look and emotion I’ve seen in early photography of Hopi and other regional pueblo’s. The sense of visual history and customs is so memorable to me.

The choice to go with Kodak was due to the softness of the material and the base color which brought a sense of quite to the image. I hope I can get permission to submit an example on this site at a later date.

RIP software

Posted: March 1, 2011 in Large Format Printing

I love my Wasatch

I just got word today that my company will be reselling Mutoh printers, very exciting.

This really opens the doors for me to work with a much wider variety of RIP software platforms. Wasatch (www.wasatch.com) has been a favorite for this printing platform. Easy to work with and fairly simple to profile media products. Onyx Production House (www.onyxgfx.com) is the other platform that I use at the office. It is widely excepted and perhaps the largest installed base across platforms. The new version offers a much simpler method for creating media profiles and I look forward to working with it.

This new challenge will give me opportunity to use my new Xrite iSis (www.xrite.com) to create custom profiles. I know that I have a huge learning curve to in order to offer the services I have on my goal list.
Working with new products and solving color issues is a true challenge that I am completely ready to accept.

Can I ask a big favor? What RIP are you currently using?

 

Today opens a new chapter for me, I get to setup my Xrite iSiS and ProfileMaker5  software.

Color management is so complex so having a tool of this caliber will certainly make life easier for myself and hopefully add great value to those who value the products and services I bring to the large format industry.

I have had many opportunities over the years to create profiles, RGB and CMYK, but just didn’t have the tools. Now I can. Plus with all the newer models coming out with 8-12 colors I can, hopefully, create even tighter profiles for spectacular output.

Anyone who has pointers is welcome to post or email me at rwrobotman@gmail.com.

I’m a PC user with Windows7 on an amazing HP Z800 Workstation.

Here’s to printing large and doing it well.

MediaMan

Profiling Photobase media
Does anyone have a method they would like to share regarding creating a profile for photo material on any HP Designjet printer? Or even a Canon or Epson, I’m assuming the process and procedure is fairly similar.

I have my own process and some great equipment that makes life much easier but there are many ways to perhaps achieve great color on media in the large format aqueous industry.

I have at my office in Seattle each of these Designjets:
HP Z3200
HP Z5200ps
HP Z6100
HP Z6200
HP T1120
Lastly the new HP T2300eMFP

Printing large in Seattle

Starting Point

Posted: February 18, 2011 in Uncategorized
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Starting Point

The love of the large format community draws me out. To embrace the newer technology and means to share, begs my attention.
Call me MediaMan. I’m a person who loves the printing industry, especially large format. Over 25% of life has been within this community and for me to not share a few secrets, passions and tidbits, is just a shame.
My focus has and will continue to be HP centric but the knowledge of business, media (paper products, photobase, etc), how to print and make color look great, plus a bit of passion toward certain brands is where I will begin.I’m hoping that this adventure leads me afar and the journey enhances everyone who ventures within. Yes, I will make errors in speech and spelling but the end goal is to share and learn from each of you.
I will begin by saying this will be centered on HP Designjet printers and Kodak media products. These make a great recipe of your large ideas really great, with a little help from the MediaMan.
Here’s to printing large